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Posted by / 01-Jan-2020 08:54

The US political landscape in 2013 should NOT include talking points lifted directly from a 1984 film about teenagers.British Broadcasting Company begins transmitting from rooms at the GEC Works at Witton.1977The Horror of Fang Rock, only episode of Dr Who to be filmed here at The Mill.The set consisted of a lighthouse built in the studio, and it was the setting for a battle with an alien shape shifter.See what happens when women have access to birth control? And this obviously isn’t REAL rape since Ted and Caroline actually have THIS FUCKING CONVERSATION when they wake up in a church parking lot the next morning: And so many more problems exist in this film that I can’t fully get into in the space of one already long review, but the fact that Ginny (Sam’s sister) starts her period and therefore needs to take FOUR muscle relaxers to dull the pain also illustrates major problems with consent; her father at one point appears to pick her up and drag her down the aisle on her wedding day. then sighs with relief once she realizes the misunderstanding.)Basically, it freaks me out—as it should—when I watch movies or television shows from 30 years ago and see how closely the politics resemble today’s anti-woman agenda.(And, congratulations for understanding, John Hughes, that when women bleed every month, it requires a borderline drug overdose to contain the horror.)The racism, too, blows my mind. so Grandpa’s hyena don’t get disturbed,” accompanied by such sentences as, “The Donger need food.” (I also love it, not really, when Samantha’s best friend Randy mishears Sam and thinks she’s interested in a Black guy. Phrases like “legitimate rape” and “forcible rape” shouldn’t exist in 2013.Seriously, every time Long Duk Dong appears on screen, a fucking GONG GOES OFF on the soundtrack.I suppose that lines up quite nicely with the scene where he falls out of a tree yelling, “BONSAI.”Since the entire movie is like a machine gun firing of RACIST HOMOPHOBIC SEXIST ABLEIST RAPEY parts, the only way I know how to effectively talk about it is to look at the very problematic screenplay.

This scene, undoubtedly “funny” in the 80s and certainly still funny to people who like to claim this shit is harmless, helped lay the groundwork for Steubenville, and for Cleveland, and for Richmond, where as many as 20 witnesses watched men beat and gang rape a woman for over two hours without reporting it. I refuse to accept that a person could watch this scene from an iconic John Hughes film—where, after a party, a drunk woman is literally passed around by two men and photographed—and not see the connection between the Steubenville rape—where, after a party, a woman was literally passed around by two men and photographed. Caroline wakes up out of nowhere and puts a birth control pill in Ted’s mouth.

It reminded me of the time my parents handed me an unwrapped Stephen King novel on my sixteenth birthday like a couple of emotionally neglectful and shitty assholes, but, you know, at least they REMEMBERED it.

Anyway, she rides the bus to school (with all the LOSERS), and in her Independent Study “class” the hot senior she likes, Jake Ryan, intercepts a note meant for her friend Randy.

Long Duk Dong, a foreign exchange student living with Samantha’s grandparents, speaks in played-for-laughs broken English during the following monologue over dinner: “Very clever dinner. In 2013, politicians like Wendy Davis shouldn’t have to stand up and speak for 13 hours—with no food, water, or restroom breaks—in order to stop a bill from passing in Texas that would virtually shut down access to safe and legal abortions in the entire state.

Appetizing food fit neatly into interesting round pie … Women should be able to walk down the street for contraception in 2013, whether it’s for condoms or for the morning after pill.

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And of course, there’s that absolutely fantastic final wedding scene in which a woman consents to marry a dude while under the influence of a fuckload of muscle relaxers. The kind of adorable premise of Sixteen Candles is that Molly Ringwald (Samantha Baker) wakes up one morning as a sixteen-year-old woman who still hasn’t yet grown the breasts she wants.